In 2018, the VII Foundation asked more than a dozen renowned reporters and photojournalists to revisit countries with which they had become achingly familiar during times of brutal conflict. The task was to see peace through the prism of their journalistic experience; to survey familiar towns and villages; to reconnect with women, men, soldiers, civilians, statesmen, and students who had survived the conflict or grown up in the postwar society; to discover what the lived experience of “peace” feels like. To augment this reportage, the VII Foundation sought input from academics and peacemakers. And they invited citizens of those countries to give their very personal narratives, in their own voices. Hard edges were not softened nor unpalatable impressions deleted. They wanted to show the truth as seen and experienced by those that lived and those that reported on seemingly intractable civil wars in Bosnia and Herzegovina Cambodia, Colombia, Lebanon, Northern Ireland, and Rwanda. The result is Imagine: Reflections on Peace - a curation of searing images and trenchant essays that show both micro and macro views of peace, with its uneven degrees of economic success, political stability, and social harmony. In this stunning collection, worldrenown journalists and authors take us into societies that have suffered searing conflict - and survived. Photographic essays make the stakes during war and peace grippingly palpable. Compelling backstories about negotiations, tales of survival, and accounts of the search for inner peace make the big picture personal. Imagine offers a rare glimpse into the unvarnished story of peace, a window into what it takes for societies and individuals to move forward after unspeakable brutality.

'Photography for me is not looking, it's feeling. If you can't feel what you're looking at, then you're never going to get others to feel anything when they look at your pictures' - Don McCullin Sir Donald McCullin's Journeys Across Roman Asia Minor is driven by an eye for beauty and an ear for history. On his 5,000-mile travels in western Turkey he works his ineffable magic, moving from a sanctuary known to Homer to the broken face of an exhausted Roman emperor, before turning his eye on the sensuous torso of a goddess. While most of us were sheltering from Covid, Don explored the mountains, valleys and coast of western Turkey, hunting out the most poignant and powerful ruins of the Roman Empire. He has created a meditation on landscape, the effects of light on ancient stone, the way clouds animate the past, but this book is also inescapably about conquest, imperium and power. Journeys Across Roman Asia Minor reveals a world full of wonder. We see pavements once trodden by Aristotle and Alexander the Great, Julius Caesar, St Paul and the Emperor Hadrian. Through his lens we discover ancient theatres cascading down the slopes of mountains, 2,000-year-old bridges used by hill farmers to this day, and spring water flowing into fountains still dominated by statues of the gods. Journeys Across Roman Asia Minor is consciously focused on just one specific period within Turkey's dazzlingly rich parade of historical cultures (that stretch back over 12,000 years), but by choosing the 500 years of the Roman Empire, we can also celebrate a time that we can all share in. Journeys Across Roman Asia Minor is a companion to an earlier volume, Southern Frontiers, where Don had observed the landscapes of the Roman Empire in North Africa and Syria.Journeys Across Roman Asia Minor was created through a series of journeys across western Turkey commissioned by Cornucopia Magazine. His companion during all these journeys was the writer Barnaby Rogerson, who was not only able to watch the master at work but was able to listen to the astonishing tales from Don's adventurous life, as they travelled along Roman roads. So we get the context and the historical story behind every chosen photograph. Don McCullin has won himself the reputation of being one of the greatest living photographers of conflict, but this has always co-existed with his other role as a great traveller. He also takes pride in the craft, so he delights in developing all his own film. The far frontiers of the Roman Empire are a lifelong obsession that had been accidentally been kick-started by an incident in his early career when he worked alongside Bruce Chatwin.

The updated retrospective published for McCullin's 80th birthday. Contains 40 new unpublished photographs and a new introduction - the definitive edition. McCullin's reputation has long been established as one of the greatest photographers of conflict in the last century. In the fourteen years since the first publication of the book, McCullin has shed the role of war photographer and become a great landscape artist. He has also travelled widely through Africa, India, the Middle East and among the tribes living in Stone Age conditions in Indonesia. His journey from the back streets of north London to his rural retreat in the depths of Somerset is unparalleled. It includes a passage through the most terrible scenes of recent history, for which his stark views of the West Country offer him some redemption.

Don McCullin's view of England is rooted in his wartime childhood and growing up around Finsbury Park in the fifties. His first published photograph was a picture of a gang from his neighbourhood, which appeared in a newspaper after a local murder; McCullin always balanced his anger at the unacceptable face of the nation with tenderness or compassion. In England combines some of his greatest work with an entirely new body of photographs. McCullin sees his home country with its perpetual social gulf between the affluent and the desperate in mind. He continues in the same black and white tradition as he did between foreign assignments for the Sunday Times in the sixties and seventies, when his view of a deprived Britain seemed as dark as the conflict zones from which he'd just escaped. This book marks his return to the cities and landscape he knew as a young photographer. At a time when we might believe the world has changed beyond our imagination, McCullin shows us a view of England where the line between the wealthy and the deprived is as defined as ever. This time he adds wry humour to his lyricism, as if the nation is as absurd as it is tragic.

From the construction of the Berlin Wall through every major conflict of his adult lifetime up to the Syrian Civil War, photographer Don McCullin has left a trail of iconic images. Revised and updated after twenty-five years, Unreasonable Behavior traces the life and career of one of the top photojournalists of the twentieth century and beyond. Born in London in 1935, McCullin worked as a photographer's assistant in the RAF during the Suez Crisis. His early association with a North London gang led to the first publication of his pictures. As an overseas correspondent for the Sunday Times Magazine beginning in 1966, McCullin soon became a new kind of hero, taking a generation of readers beyond the insularity of post-war domestic life through the lens of his Nikon camera. He captured the realities of war in Biafra, the Congo, Vietnam, Cambodia, and the human tragedy of famine and cholera on the Bangladesh border and later, the AIDs epidemic in Sub-Saharan Africa. McCullin now spends his days in a Somerset village, where he photographs the landscape and arranges still-lifes. Harrowing and poignant, Unreasonable Behavior is an extraordinary account of a witness who triumphed over the memories that could have destroyed him.

'If this was just a book of McCullin's war photographs it would be valuable enough. But it is much more' Sunday Correspondent

'The veteran war photographer [Don McCullin] has turned his lens to more peaceful scenes... for his latest book, The Landscape. The images carry a dramatic feel and a preference for stormy skies that reveal an intimacy with conflict and destruction.' Guardian After a career spanning sixty years, Sir Don McCullin, once a witness to conflict across the globe, has become one of the great landscape photographers of our time. McCullin's pastoral view is far from idyllic. Though the woods and stream close to his house in Somerset have offered some respite, he has not sought out the quiet corners of rural England. He is drawn, instead, to the drama of approaching storms. He has an acute sense of how the emptiness of his immediate landscape echoes a wider tone of disquiet. McCullin is based in the geographical centre of southern England. The presence of sacred mounds, hill forts, ancient roads and the nearby monuments of the prehistoric era have shaped his sense of nationhood. But down on the Somerset Levels, he has tramped through the flooded lowlands. The imagery of his home county, ravaged by storms, inevitably projects the associations of a battlefield, or, at least, the views of one intimate with scenes of war. He is not alone in his preference for darkened clouds over clear skies. McCullin's West Country is not far removed from the East Anglia of Constable's Dedham Vale two centuries earlier. His knowledge of his historical predecessors places him deep in a Romantic tradition. His experience as a traveller reinforces the sense of a man on the edge of civilisation under siege. Nowhere is this more apparent than in his repeated views of the glories of Palmyra and of the destruction of this ancient Syrian city. The Landscape is the last in a long series of books published by Jonathan Cape, which encompasses the entirety of McCullin's working life.